Patti Posten

Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.

The spirit of an executed murderer enters the body of a physician, and forces him to do its bidding--namely, murder.

An aspiring playwright gets a job in a New York City restaurant favored by celebrities in hopes of getting a break. Unfortunately, most of them believe that the waiter lacks the talent to make it big. Only an aspiring songwriter, and a former waitress who has become a famous Hollywood radio star, really believe in him. When the ex-waitress drops by the restaurant to say hello, she and the others decide to play a trick on an arrogant producer by making him believe the waiter has written a sure-fire hit. They succeed and the producer puts on the show. The singer gets to be the star. When the show becomes a smash, everyone is surprised. Songs include: "Hitchhike To Happiness," "For You And Me," "Sentimental," and "My Pushover Heart."