Maciej Sławiński

Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.

Growing-up village boy Marcin Debik feels bored of existence in his native place and not interested in realizing his father's ideas for living there for ever and making business there. He dreams of living in a big town, making career there and, above all, having foreign automobile, preferably big one and of American make. His determination strengthens after he had accidentally attended some rich society's party for a while. Having finally decided to take his fate in his own hands, he takes leave of his family, his girl and departs for Lublin, the town where his uncle Lukasz runs own photographic studio.

The document describes the preparations and organizational problems related to the outbreak of the Kościuszko Insurrection and the initial phase of the fighting to the Battle of Racławice. He also devotes a lot of space to the peasant question.

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.

Polish crime / drama TV series portraying Warsaw police officers from Central Bureau of Investigations who got on the trail of counterfeit Euro banknotes which involves local gangsters and French crime syndicate.

Dom