Helena Norowicz

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

Poland, 1945. Mathilde, a young French Red Cross doctor, is on a mission to help the war survivors. When a nun seeks for her help, she is brought to a convent where several pregnant sisters are hiding, unable to reconcile their faith with their pregnancy. Mathilde becomes their only hope.

A man stricken with amnesia, discovers a mysterious radio whose music brings back troubling memories from his forgotten past.

A man with an enigmatic look arrives at a town called Ederly. "Ederly is not only the name of the town, it has a deeper meaning", the visitor is told.

The main character has quit school, makes a living by taking pictures. He seduces a nurse who treated his head wound which he earned in a fight. They witness a hit-and-run driver killing a little girl on a sled. He builds up an elaborate trap by putting a doll dressed as a child down the hill in the path of a car. The man hits it and thinking that he hit a child - runs. Marek takes pictures of him and tries to blackmail him to use his car for a week. He wants to use the car to win back the nurse, who could not cope with his humors...

Maciek (35), tricked by his boss, steals his boss's car and goes on a desperate joyride across. He drives across the interior of Poland, where people are preparing for a celebration of an unspecified anniversary. In the meanwhile, Magda (35), a Town Hall employee in charge of the anniversary events, Highly committed at first, gradually notices all the dirt and corruption around her. At some point, she must choose between her career and integrity, whether she should accept it or risk her career and leave. Finally, on the celebration day, Maciek and Magda finally meet. Will it change anything for them?

Letters from her husband are bringing Danuta (Helena Norowicz) back to the feelings she once had for him, and she finds herself reliving her youth.

A little known episode from the life of Stalinist security police office Julia Brystiger. Her nickname Bloody Luna was a reference to her incredibly brutal methods of interrogation. In the early 1960s, she appears in a centre for the blind on the outskirts of Warsaw, a place often visited by Cardinal Wyszyński, whose imprisonment in 1953-1956 Brystiger supervised personally. During a difficult and heated discussion with the cardinal, Brystiger denounces the communist ideology and begs for forgiveness for her crimes and for guidance in her search for God.

Two old friends meet at a mountain shelter and remember their teenage years. Midroń and Świdrycki are mature, intelligent men, experiencing a crisis of faith in the meaning of life, in their abilities, as well as fear of death. The next day, their wives join them. Although they have not had the opportunity to get to know each other so far, they become friends very quickly.

Waldi and his three sisters live in an old villa outside the city, and their 100-year-old parents, who died a few years ago, live in the basement. The whole family enjoys shared breakfasts and warm air, so Waldi does not discover supernatural powers in himself. Then unexpected guests draw the family into a secret plan, forcing their deceased parents to launch their connections in the afterlife.

Stawka większa niż życie is a series about the adventures of a Polish secret agent, Hans Kloss, who acts as a double agent in the Abwehr during Second World War in occupied Poland.

After a bombing attack at the Poland–Ukraine border which killed his friends from the Border Guard, Captain Wiktor Rebrow tries to unravel the mystery and figure out what happened and who is behind it all.

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.

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