A woman attempts to escape her domestic problems by fleeing to New York in search of her father. She finds him, and also new problems, some friendship, a romance, and an unexpected career as pro-boxer, to make ends meet.
The Doctor and Adric learn from the wizened Keeper of Traken that a great evil has come to his planet in the form of a Melkur - a calcified statue. The Keeper of Traken is nearing the end of his reign and seeks the Doctor's help in preventing the evil from taking control of the bioelectronic source that is the keystone of the Traken Union's civilisation.
The TARDIS materialises inside an Aztec tomb. Outside it, the Doctor and his companions soon discover that Mexico in the 15th century is a bloodthirsty and dangerous place... And with Barbara mistaken for a reincarnation of an ancient high priest called Yetaxa, the history teacher thinks that she can put an end to the barbaric human sacrifices once and for all. But can she rewrite history without disastrous consequences?
The guest actors of the 1964 "Doctor Who" (1963) story, "The Aztecs", reminisce about their time on the programme and making the series.
Drama 61-67 is anthology drama series which took a different title, based on year of transmission, each year. It alternated with Armchair Theatre from ABC in the Sunday evening slot. The series was described at the time as epitomising ATV drama.
Sunday Night Theatre was a long-running series of televised live television plays screened by BBC Television from early 1950 until 1959. The productions for the first five years or so of the run were re-staged live the following Thursday, partly because of technical limitations in this era, and the theatrical basis of early television drama. Some of the earliest collaborations between Rudolph Cartier and Nigel Neale were produced for this series, including Arrow to the Heart and Nineteen Eighty-Four. The Sunday night drama slot was subsequently renamed The Sunday-Night Play which ran for four seasons between 1960 and 1963. ITV transmitted its own unrelated run of Sunday Night Theatre between 1971 and 1974.
Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.
