Antônio Bivar

Botinada chronicles the origins of punk rock in Brazil, its first phase (1976-1984) and the whereabouts of its protagonists. Were 4 years of research, interviewed 77 people, thousands of hours in editing rooms, 200 hours of video and many rare and unpublished images compiled for the first time. Botinada brings out this amazing story told by punks who experienced body, soul and leather jacket this chaotic journey.

Que Esse Grito Não Seja em Vão!

Documentary about the poet, musician and pioneer of the brazilian punk pioneer Ariel Ulliana, former 'Inocentes' e vocals on bands 'Restos de Nada' and 'Invasores de Cérebros'

Rogério Sganzerla’s lost film. The only existing copy was lost in 1992 and the negatives are lost. It tells about the history of Betty Bomba, an exhibitionist woman.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.