William R. Coughlan

A jaded political campaign operative gradually realizes the horrific true nature of the popular yet brash candidate she is working for.

A jaded political campaign operative gradually realizes the horrific true nature of the popular yet brash candidate she is working for.

In the era of social distancing, everyone has had to adjust. But in the world of professional (or semi-professional) wrestling — where in-the-ring competition necessarily requires close physical contact — the challenges presented are particularly troublesome. But a shift in emphasis toward other entertainment aspects may be just what the sport needs to survive.

Binjamen, irate after a conflict with a local sushi chef, decides to take revenge — in an extreme fashion. But when he meets the vacationing Lynette, he is instantly smitten... and has to reconsider his plans for vengeance when it seems she may be caught up in his actions.

In this contemporary take on the classic fable “The Boy Who Cried Wolf,” a man finds himself bored with his job — and decides to amuse himself by playing pranks on his coworkers, only to find that they may be disinclined to believe him when their trust is most critical.

Recent high school graduate Caleb is reluctant to embrace his friend Abby’s advice to embark on a new chapter of his life; he prefers the status quo. But his own perspective shifts radically when a sudden accident leaves him dead — and reanimated as a ghost. Guided by longtime spirit (and 1970s holdover) Paul, Caleb must acquaint himself with his newfound condition… and ultimately determine the course of his “unlife.”

Quentin has a problem: one of his neighbors is gradually taking over the community garden, pushing everyone else out and consolidating her claim. His friend Brent is pushing him to confront the offender, but Quentin seeks the wisdom of Tex — a genuine Old West gunslinger who just happens to find himself in the modern era.

Emily is nervous about meeting her husband Wilson’s family for the first time at their annual Independence Day gathering. Having eloped, she is concerned that the family will never accept her as one of their own. But Wilson has a plan to bring her into the fold — competing in the family’s annual (if ridiculous) tradition of throwing balls at a target object, a barely-recognizable variation of bocce.

The Lake tells the story of two sisters, each dealing in her own way with the childhood loss of their father. Claire still lives at home with Mom and spends her days on the lake in their father’s old rowboat. Laney has built her own life in the city, but when she comes back to visit, the sisters’ discoveries will dredge up the past and the secrets that bind this family together may just tear them apart.

The flashes of memory that return to Carrie Wallace as she lies bloodied in the street all share a common trait: Each culminates in an insincere apology. A casual bump in the street, a father’s indifference, a boyfriend’s exit, youthful disappointments. But despite her lifetime’s experience, she holds out hope that she may yet witness a true expression of remorse.

Phil has an amazing ability: With a touch, he can see exactly one hour and eight minutes into someone’s past. Unfortunately, it seems to cause him nothing but trouble — especially at the office, where he is called in before the boss and lectured on “inappropriate touching.” His coworker Lily is convinced that his ability makes him a superhero, but Phil is hardly persuaded… until a chance bump with a new client shows him that he may have an opportunity to prove her right.

Ever since he was a child, Reuben knew he was different… and despite all his attempts to fit in with “normal” people, he remains isolated and alone. But a chance encounter with an up-and-coming rock star gives him the spark needed to hone his supernormal skills, to shape himself into a true hero. And then Campbell, a new face in his office, demonstrates abilities comparable to his own, but with a bizarre twist — and nefarious intent. Reuben’s coworkers are oblivious to the danger she represents, and slowly fall under her spell. As Campbell spreads her nefarious influence, Reuben’s friends must decide: Soup… or hero?

Kevin can’t seem to catch a break in the romantic arena, and his poker buddies aren’t afraid to let him know it. Over the course of a friendly game, they recount his romantic misadventures, and a pattern emerges — all of Kevin’s concepts of romance derive from 1980s-era films. Which might be all right, except that Kevin can’t seem to execute them the way they come off in the movies. Whether he’s reenacting his favorite scenes from “Pretty in Pink,” “Ferris Bueller’s Day Off,” “Top Gun,” or “Say Anything,” he always manages to end up with egg on his face. That is, until he meets just the right woman…