Hanley Stafford

Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's. The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.

Grainbelt University has one attraction for Dobie Gillis - women, especially Pansy Hammer. Pansy's father, even though and maybe because she says she's in dreamville, does not share her affection for Dobie. An English essay which almost revolutionizes English instruction, and Dobie's role in a chemistry lab explosion convinces Mr. Hammer he is right. Pansy is sent off broken-hearted to an Eastern school, but with the help of Happy Stella Kolawski's all-girl band, several hundred students and an enraged police force, Dobie secures Pansy's return to Grainbelt.

After Slip is drafted into the Marines, the rest of the gang volunteers so they can be with him. Sach discovers that the colonel knew his father and he is promoted. During a drill that he is putting the rest of the gang through, they find a soldier left for dead on the side of the road. Slip discovers a playing card next to the marine and traces it to Jolly Joe Johnson's gambling house. They suspect that the gambling house is cheating and set out to uncover the proof.

A London artist struggles to complete one last painting before going blind.

After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.

The Go-Getter (1956)

A man who has a talking mule gets a job on a newspaper, and both get mixed up in a murder trial.

A Secret Service agent goes undercover to unmask the leader of a gang of diamond thieves.

In this musical comedy, a pregnant disc jockey misses her husband who is fighting overseas. Stressed out by the situation and her job, she decides to take some time off and convinces her twin sister to trade places with her. The switcheroo causes the soldier her husband appointed as her unofficial guardian no end of confusion.

Henry Aldrich wants to win a trip to Alaska.

An heir of a vast fortune is deeply in debt because he spends faster than his very generous trust fund allows. There is a battle of wills between his selfish spendthrift was and the money manager which is is forced/tricked into appointing.

Angel is an American sitcom that aired on CBS during the 1960–1961 television season. The series was created and executive produced by Jess Oppenheimer, and stars Annie Fargé as the title character.

Guestward, Ho! is an American situation comedy which aired on the ABC network in the 1960-1961 television season, based on the 1956 book of the same title by Patrick Dennis, author of Auntie Mame.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Cheyenne is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.

An anthology series that explored the ways sudden and unexpected wealth changed life for better or for worse. It told the stories of people who were given one million dollars from a benefactor who insisted they never know him, with one exception.

Sugarfoot is an American western television series that aired on ABC from 1957 to 1961. The series stars Will Hutchins as Tom Brewster, an Easterner who comes to the Oklahoma Territory to become a lawyer. Jack Elam is cast in occasional episodes as sidekick Toothy Thompson. Brewster was a correspondence-school student whose apparent lack of cowboy skills earned him the nickname "Sugarfoot", a designation even below that of a tenderfoot.

Maverick is an American Western television series with comedic overtones created by Roy Huggins. The show ran from September 22, 1957 to July 8, 1962 on ABC and stars James Garner as Bret Maverick, an adroitly articulate cardsharp. Eight episodes into the first season, he was joined by Jack Kelly as his brother Bart, and from that point on, Garner and Kelly alternated leads from week to week, sometimes teaming up for the occasional two-brother episode. The Mavericks were poker players from Texas who traveled all over the American Old West and on Mississippi riverboats, constantly getting into and out of life-threatening trouble of one sort or another, usually involving money, women, or both. They would typically find themselves weighing a financial windfall against a moral dilemma. More often than not, their consciences trumped their wallets since both Mavericks were intensely ethical. When Garner left the series after the third season due to a legal dispute, Roger Moore was added to the cast as their cousin Beau Maverick. Robert Colbert appeared later in the fourth season as a third Maverick brother, Brent Maverick. No more than two of the series leads ever appeared together in the same episode, and usually only one.

The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.