Robin Mary Florence

In this Christmas special, Malcolm and the evil Kilokahn have finally tracked down Servo. Kilokahn has ordered Malcolm to strand up Christmas lights to pin point him. When Kilokahn finds out that Sam Collins is Servo he tries to destroy him. Kilokahn turns on Malcolm and tries to destroy him as well. Now Sam and Malcolm have to work together after secretly being enemies all along. Servo now has to defeat Kilokahn in a finale battle.

Pat Riley, an obnoxious busybody of indeterminable sex, meets and falls in love with Chris, a sensitive, caring person also of indeterminable sex. Their relationship suffers because Pat's a lout, and cannot decide on a direction for their life. Meanwhile, Pat's neighbor Kyle falls further and further into obsession with Pat, fascinated by their indeterminate sexuality.

After many years spent at the “Cheers” bar, Frasier moves back home to Seattle to work as a radio psychiatrist after his policeman father gets shot in the hip on duty.

Boston Common

Superhuman Samurai Syber-Squad is an American television series. It was produced by Tsuburaya Productions, Ultracom and DIC Entertainment, with distribution by All American Television, and ran for one season from September 12, 1994 to April 11, 1995 in syndication, as well as on ABC. It was an adaptation of the Japanese tokusatsu series Denkou Choujin Gridman which was produced by Tsuburaya Productions. The series was originally going to be named PowerBoy but was renamed Superhuman Samurai Syber-Squad to avoid confusion with Saban Entertainment's Mighty Morphin Power Rangers. The series development mirrored the creative construct established earlier with the Teenage Mutant Ninja Turtles. The master toy licensee -- Playmates Toys—funded the series, interpolated American development via toy licensing rights, and did a commercial buy-in on the Fox Network, where Haim Saban had established a kids block of time with other programs like "Power Rangers." Playmates called upon the development team at DIC. DIC, Pangea and Playmates' marketing group created an ensemble of character names, traits and profiles, which were spun into a most ambiguous series offering. More than anything else, this was a quick-to-market slam dunk to capitalize on the upsurge in popularity of imported Japanese monster-robot shows which could be adapted with new, regionalized live-action footage.