David Rubiera

In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.

Placido Domingo heads an internationally renowned cast in Emilio Sagi's stylish new production for Madrid's Teatro Real of Moreno Torroba's enduring zarzuela, whose story itself is set in the Spanish capital. Filmed using high definition cameras and recorded in true surround sound.

Calixto Bieito controversial take of the Verdi classic "A Masked Ball"