Ursula Mohan

Two business executives are trapped for the night on a deserted office floor by a disgruntled employee who has hacked the elevator system.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

They're just your average family. Stressed mum Bill, daft dad Ben, and two troublesome teens. Plus just a few crazy ideas, escapades and mishaps. The classic 90s sitcom.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.