Washington Olivetto

Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections. Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.

Invasão Corinthiana

Brazilian soccer players Sócrates, Casagrande and Vladimir lead a historic movement in sports by adopting a democracy within their team, making a statement against the country's military dictatorship.

The documentary tells the Corinthians passion through one of his most famous moments, when the team, who was 23 years without a title, won the Campeonato Paulista final of 1977 against Ponte Preta. The Timão is and always will be the sole, the better. Win or lose. Same spirit that permeated the loyal fans and has only grown in the 23 years that the Corinthians were without titles.

The documentary “Comercial” brings a portrait of Brazilian advertising, from the perspective of the production of advertising films, told through the eyes of scene directors, creatives and clients; from those who lived the golden age of advertising in Brazil, to the professionals of the new generation; talking about the challenges, changes, the future of advertising films in Brazil and new language trends.

1983: O Ano dos Videogames no Brasil tells the story of how video games, as a new form of entertainment, officially arrived in the country in 1983, but it will also bring information about the before and something about the after. The focus is essentially on devices that preceded the cartridges, such as Casio's game watches, Game & Watch handhelds and PONGs/Telejogos, but mainly - and especially - the first national generation of video games itself, the Odyssey generation, the Atari 2600 and its clones, Intellivision and SpliceVision (ColecoVision).

The film has Gal's career as its guiding principle, drawing a parallel with the movement of which the singer was the muse and one of the main interpreters, and reaching the present day.