Michael Hall

In 1960s New York, Walter Stackhouse is a rich, successful architect and unhappily married to the beautiful but damaged Clara. His desire to be free of her feeds his obsession with Kimmel, a man suspected of brutally murdering his own wife. When Walter and Kimmel's lives become dangerously intertwined, a ruthless police detective becomes convinced he has found the murderer. But as the lines blur between innocence and intent, who, in fact, is the real killer?

A crazed teacher at a respectable girls' school draws power from a medallion she has obtained from the Carpathian Mountains, and uses it to experiment telepathically on the school's newest young pupil.

A young American girl on her way to visit friends in rural England is brutally attacked and raped. After spending the next few months in a mental institution trying to recover from her ordeal, she is released into the care of her friends. The police assure her that they have the man responsible in custody, and she begins to rest easy. That is until she sees her attacker wandering the streets of the town. After planning her revenge she follows the man and kills him. This, she thinks, is the end of her ordeal. That is until the man she thinks she has killed arrives at the house she is staying in.

The Caesars is a British television series produced by Granada Television for the ITV network in 1968. Made in black-and-white and written and produced by Philip Mackie, it covered similar dramatic territory to the later BBC adaptation of I, Claudius, dealing with the lives of the early emperors of Ancient Rome, but differed in its less sensationalist depictions of historical characters and their motives.

Series based on the short French farces written by Georges Feydeau, Eugène Labiche, Marc Michel and Sacha Guitry. All of them include mistaken identities and impeccable timing.

Contemporary thriller series set in a parallel Britain where the country is ruled by a fascist dictatorship.