Mora Sánchez Viamonte

Creo que te amo

After the suicide of her best friend, Amparo secludes herself in a mourning pervaded by doubts and memories. Daring to continue her friend’s unfinished work proves to be the only way to move on.

Through a very peculiar manual, whose rules are detailed with precision in the first segment, four young men and women accept this exchange of brief film, which includes a classical melodrama in Venice, a journal through Peru’s provinces, a letter to a friend and 16mm excess footage.

El Bidón

Twelve years after the effervescent I Think I Love You, the 107 Fauns return to making (being) cinema. Artificial Disintelligence accompanies the guardians of indie from La Plata in the investigation, between pataphysics and the detectivesque, of a mysterious event captured in one of their shows.