Clara Eon

Paul and Louise get married as World War I breaks out. After two years on the frontline, Paul maims himself and deserts his post. To hide when he is condemned to death in war-torn Paris, Louise dresses him up as a woman. He becomes Suzanne, drags his wife around the debauched Paris of the Golden Twenties and earns quite a reputation for himself.

The end of the world of humanity as seen by Mandico. A time, as much future as current, where “cinema will be will be all other and nothing else”. Where, “it will be the last appointment of the flesh”, where “the energy will be cannibal and the sun will reflect to say nothing”. Pessimistic or optimistic is this cinematic pamphlet on art? In this destroy, and barbaric, jubilant and cinematic transgressive performance, it's up to you to think. Because thus spoke Bertrand Mandico...