Ursula Maria Burkhart

Am Morgen danach

Ich bin da, ich bin da

Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.

Die göttliche Sophie

While Christine tries in vain to get her mute daughter to speak again, an unexpected encounter occurs. She meets Leonore and feels attracted to the woman. Driven by the duties of family life, Christine becomes increasingly conscious of how her own speechlessness prevents her from expressing herself and her desires.

The godless, rough-necked Ludwig Bruckmeier has repeatedly maneuvered himself into prison. Thanks to a generous donation, he is now being accommodated by his energetic probation officer Christine Wurzelbacher in Pastor Gabriel Gottwald's rectory, of all places. The man of God wants to bring the reluctant Ludwig onto the right path with the help of his kind pastoral advisor Elisabeth. But Ludwig turns the church, including the rectory and retirement home, upside down. He doesn't stop at the confessional either. There he has a lucrative encounter with Josef Wurzelbacher, the troubled husband of his probation officer.

Die Rosenheim-Cops

Die Rosenheim-Cops

Hindafing

Die Rosenheim-Cops

Frühling

Frühling