Marcos Ferrante

La guerra de los gimnasios

El vagoneta en el mundo del cine

Marcia (Tatiana Saphir), a frumpy and overweight salesgirl who seems to lead a banal and dreary existence, goes to work one day. As she walks she catches the eye of a feisty butch punk woman named Mao (Carla Crespo) who tells Marcia she wants to seduce her. Marcia tells Mao that she's not a lesbian, but Mao is relentless. With the help of her friend Lenin (Veronica Hassan), Mao manages to talk Marcia into getting into a cab that the two lesbian women then immediately car-jack.

Fresh and highpaced short shows Julio, his relationship, his chaotic and emotional quest through Buenos Aires, his Brazilian friend, the things he found, his chair and the stories that belong with them.

The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the bridge - The boat has a life of its own! - An American Anthem - The Canoe Ride Some blond idiots - Photo! - Hit the partner - Buckets falling from the sky! - Hunting in the mountains - The car has spasms - A flying umbrella! - Kicks in the butt - The top of the mountain - Tire throwing - The car goes alone! To catch a wheel - The river - A Cordovan quartet - Conservative throw - The water wells - Combat with umbrella - Trap with towel - Hip break - Gomerazos - Some children in the river - Drowning Kill the partner - A heron in the waterfall - Cross the river - He's a man of grass! - A shotgun for a deck chair - Shoot your neighbor - Aaaahhhh !!! - The last laugh - Dying, reviving and dying forever on the mountain

In a society where people are addicted to their cell phones, a man runs out of battery.

As her Parkinson's disease progresses, a woman leads a relentless investigation into finding those responsible for the sudden death of her daughter.

Julio returns with his family to Argentina after the downfall of the brutal dictatorship that overpowered long-standing democracy. Things soon take an ugly turn as his brother is kidnapped and Julio becomes the lead negotiator with the criminals.

With scenes at times current and at others medieval, dramatic or overloaded with useless gestures, Jarry, Ubú Patagónico is a dialogue with “Ubú Rey”, by Alfred Jarry, and his decalogue about theatre. The work also explores Jarry's non-theatrical texts until the material is appropriated in its immateriality by a group of Patagonian Indians who take Mother Ubú prisoner.