Geoffrey Murphy

Nathan Lane portrays a comic from the 1930s who plays gay men for laughs. Originally Episode 2 from Season 40 of Live From Lincoln Center on PBS.

Andrew Rodman is running the family business and failing at it. The workers are out on strike and things are getting desperate. “Papa would have known what to do,” his sister Cora nags, “and without wasting time and money.” But it’s too late, Rodman is bringing in strikebreakers, naively failing to anticipate the disastrous impact that this will have on his family and their place in the community where they have lived for generations.

Since premiering in 1976, the landmark series has sought to democratize the world of the performing arts by making Lincoln Center's historic concerts and events available for public broadcast across the country. And it continues to push the boundaries, both technical and creative, of what is possible in the realm of stage performance capture.

A crime she committed in her youthful past sends Piper Chapman to a women's prison, where she trades her comfortable New York life for one of unexpected camaraderie and conflict in an eccentric group of fellow inmates.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

Everyone knows the name Commissioner Gordon. He is one of the crime world's greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon's story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world's most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?

It’s 1882 and the Gilded Age is in full swing when Marian Brook, a young orphaned daughter of a Southern general, moves in with her rigidly conventional aunts in New York City. With the help of Peggy Scott, an African-American woman masquerading as her maid, Marian gets caught up in the dazzling lives of her rich neighbors as she struggles to decide between adhering to the rules or forging her own path.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.