Birgit Frohriep

The 1980s. Jan Bard, Polish intellectual and writer, leaves for West Berlin. He is working on another novel here. In Germany, he meets his old love Iza. He revives the feeling that once connected them. The woman is the ex-wife of the publisher of Bard's novels. The situation gets complicated soon.

Rooster, cat, dog and donkey become homeless in old age for various reasons, wander and sing together. This gruesomely funny singing may not be enough to become Bremen's town musicians, but it is enough to drive away evil robbers and spend a peaceful old age in their house.

The main character Otto, the "best man", is a copy of the illustrious Mister Bean. He takes on an apprenticeship as a building-worker, which makes him a member of a building brigade. At the same time Otto tries to start a love affair, which he handles even clumsier. Never the less Otto makes progress with the lady in question, a single mother, who apparently doesn't mind. Actually he wanted her sister, but a retired Leninist party member changes his mind. This gives him the courage to persevere in his work, albeit with the helping hand of the obligatory retired party member. And behold, in the end Otto invents a new method of building, which saves the brigade many hours of work.

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.

Berlin, end of the 1920s. Young factory workers Hete and Paul are expecting a child. When first Paul and then Hete become unemployed, the two look for ways to terminate the pregnancy. Hete goes to a doctor, but he refuses to give her the necessary document for the abortion. As a result, Hete and Paul want to carry out the abortion themselves, using a stolen instrument. Fearing for Hete, Paul aborts the attempt. So Hete turns to an illegal abortionist, who sends the feverish girl away with a bottle of cyanide, which is supposed to help in small doses. Hete goes to her mother, who takes care of her and also gives her the cyanide drops. But Hete exceeds the dose.

On April 1st, single mother Maria and her ten-year-old son Micha move into a new apartment located in the Berlin district Marzahn. On the very first evening, Maria gets an invitation from her neighbor Alvaro, a political emigrant from Uruguay who keeps working for his country’s Communist Party while staying in the GDR. Maria and Alvaro fall passionately in love. Even Micha, who is suspicious of Alvaro in the beginning, eventually becomes friend with him. Thus, nothing stands in the way of their happiness – except for the certainty that Alvaro will have to leave as soon as he gets a new assignment.

Civil engineer Berger is looking for his mother and learns that she has died and was last in a home run by the notorious construction company Huberty. When the company boss Huberty becomes the victim of an assassination attempt shortly afterwards, suspicion falls on Berger, but Huberty's death is linked to the fraudulent bankruptcy of the construction company. The boss's wife is found to be the culprit. An unpleasant surprise awaits Berger, a civil engineer from Hamburg, when he returns home after years of working in Mexico: his mother has disappeared. Her tracks are lost in a "retirement home" run by the Huberty Society. Berger suspects that his mother has been the victim of a crime. He hunts a murderer and becomes the hunted himself...

The story of a young German boy and his father who befriend a Jewish family during WWII.

Drei Wohnungen

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

Der Staatsanwalt hat das Wort was an East German television series.

Der Staatsanwalt hat das Wort was an East German television series.