Dagmar Cejnková

In her first feature, Věra Chytilová uses a combination of documentary and fiction film techniques to tell two stories in counterpoint. The first follows Olympic champion gymnast Eva Bosáková, who contemplates retirement as she undergoes a gruelling training schedule; the second, a housewife who is unappreciated and ignored by her husband.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.

Five Girls Around the Neck, in 1967, set out to explore that critical age of adolescence when a person's character is formed for good or evil. Schorm examined a girl's problems of being giving too much. She tries to buy the goodwill of her less fortunate friends; her intentions are pure, but in the difficulty of communicating she learns envy and deceit, and must decide if she will submit to double dealing or steel her life against self-deception and mediocrity. In addition to the relationship between the girl and her friends, Schorm introduces a teenage romance and the broader relationship between the girl's parents - neatly tied together with segments of Weber's opera "Der Freischütz". He reveals himself as a skilled psychological director with a wide range of knowledge about people.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.