Thomas Sauerteig

This latest feature from the eccentrically experimental Catalan director Portabella is a beautiful, sometimes faintly bonkers celebration and contemplation of the role Bach’s music plays in the world today. Blending historical reconstruction with very loosely linked ‘dramatic’ scenes and documentary sequences, the film constitutes a playful, painterly sequence of variations on the argument that Johann Sebastian changed the way the world hears thanks to his extraordinary ear for harmony.

While searching for a solution to his serious health condition, David, a renowned neurosurgeon, discovers a sinister secret hidden in the past.

In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

Die Wache

With its expert and attractive crime squad run by these two, Barcelona can be proud of its homicide team: Xavi, independent, impulsive, enigmatic, with a well-functioning network of contacts on the city‘s dark side; and his charming partner Fina, a single mother and self-confident beauty. They‘re never far behind the plotters and schemers who prefer to do their dark dealings after sunset. Their cases take them throughout the Catalan metropolis – out to its suburbs and deep into the heart of the medieval city. With puzzling mysteries waiting to be solved, Xavi and Fina have lots to do before crimes are mercilessly stopped.

In 1936 Madrid, an idealistic doctor's life changes forever when he shelters a wounded spy and joins a decades-long fight against the spread of fascism.