Pepe Frías

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

Ángel o demonio

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

Círculo rojo

Al salir de clase

Parking Karaoke

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.

In their twenties, Lee Kyeong-do and Seo Ji-woo part ways after two passionate relationships. A decade later, they meet again as a reporter who covers an adultery scandal and the wife of the man at the center of that scandal. Reuniting in their late thirties, their youth has passed, but their love remains vivid. Kyeong-do now strives to prove to her and to himself that he still loves her.