Detlef Kügow

Franz Woyzeck, the protagonist of Georg Büchner's unfinished drama is incorporated in this adaption of a classic. The contemporary Franz Wodzeck lives in Germany's Ruhr industrial region. Wodzeck meanders back and forth between the monotony of working each day in a car factory and returning each evening to the cheerless desolation of the factory dormitory. Once his girlfriend, Maleen, snubs him for his boss, Wodzeck's personal and social frustrations escalate into a vista of emotions: he runs amok and bloodily stubs Maleen to death. After he has killed his one sole love Wodzeck resigns himself to his fate. A hollow shell of a man is admitted to a psychiatric asylum. He feels no more anxiety, no more desire. He simply exists. FBW Prädikat: "wertvoll".

The autobiographical portrait of Theo Berger, who gained notoriety as the king of burglaries and escapes and spent most of his life in prison. His criminal career includes over 150 crimes committed since the age of 18. Theo Berger was sentenced twice to 15 years and twice to preventive detention. The film was made during his parole, which he received after contracting leukemia. But less than six months after filming was completed, Theo Berger was arrested again. Unprepared for a life in freedom, he was involved in a bank robbery. He was sentenced to a further 12 years in prison.

The Australians call the endless deserts in the interior of the continent the "dead heart". Here lies the town of Birdsville, 23 houses and a bar with a liquor license. The long-awaited telephone connection arrived in 1979, 90 years after it had been applied for. For one weekend, this place at the end of the world turns into a cauldron when 5,000 Australians, tired of civilization, invade for the annual horse race, the "Birdsville Cup". They come in buses, off-road vehicles, motorcycles and sports planes and have become a veritable plague. Because here, everyone can do what they've always wanted to do: for example, get drunk until they drop and never get up again. The collective mass drinking reaches its peak on Saturday night. By Monday morning, the fun is over. What remains is a village with 23 houses, a bar and a street littered with 80,000 empty beer cans.

They do not earn millions, yet they are happy nonetheless: Maria Meissner (87), Josef “Sepp” Schmid (74), and Rudi Egerer (65) have spent most of their lives working for FC Bayern. Maria still cleanses the trophies nowadays, Sepp still washes and prepares the jerseys of the players in the basement, and Rudi is still the bus driver. They are simple people who may have access to the glamorous world of the big stars, but who never wanted to adapt to the ‘modern times’ unconditionally. They have remained side characters and experience their club from a special angle: Being witnesses of the development from a people’s sport to star cult and commercialisation.

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.