Dzhavlon Khamrayev

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

Farkhad's Heroism

1943. Soviet intelligence Saeed Islambek, "26th", manages to infiltrate as an instructor in the SS special school, where defectors from Central Asia study. Loyal to his assistants become a scout-Uzbek Nadia, Secretary of the chief of the special school, and Deputy chief of the Gestapo Berg. When one of the most important military tasks are dying, sacrificing himself, Nadia and Sayid.

Juma Saidov fault of the rich Appanbay got to prison. Years later he returned to his native place and took part in the fight against robber bands. Suddenly it became clear that the leader of the gang Hudayberdi his son, born while Juma was in prison, and brought up Appanbay.

Two-part epic about the establishment of Soviet power in Tajikistan based on the works of S. Aini.

At the center of the action is Kamil Yuldashev, commander of the ChK battalion to combat banditry. He appears before the viewer with a noose around his neck. Even before the revolution, the tribunal of the tsarist Turkestan division sentenced him to death for participating in the rebellion.

There is a civil war in Turkestan. Many people stood up in arms to defend the young Soviet government. Among them is the young Mayna Khasanova. She devoted her life to the struggle for the ideals of revolution. Mayna, as a girl from a legend, will accomplish a feat, a story about which many generations of Soviet people will betray by word of mouth. The young heroine will be awarded the Order of the Red Banner of Battle.

“We are all from the same trust,” the old peasant replies to the driller’s foreman when he, justifying himself for the wounds inflicted on the ground, refers to the neighboring trust. “And we have no other.”

The film is based on historical events that took place in the 6th century at the junction of three great powers: The Turkish Khagan, The Byzantine Empire and The Sasanian Empire.

A desert-set war drama by Ali Khamraev

The film takes place in Uzbekistan during the Great Patriotic War. Pulat and Bahor love each other, but the happiness of the heroes is prevented by a rich friend of the parents of a girl who sees her as her future wife.

Two lovers are torn apart by the violence occurring among the feudal lords in early 19th century Tashkent.

Former criminal investigator is falsely accused in a death of a witness. After escape from a jail he tries to find who was responsible for ruining his life.

Main Day

Shock

A young doctor serving cotton growers goes to the city. On the highway, when trying to overtake a motorcade, the traffic police stops the car. The events that take place next are an accurate and witty model of a life permeated through and through with absurd relationships, ridiculous demands and inexplicable prohibitions...

Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…

20-th years. In the mountainous regions of the Pamirs, a dangerous epidemic is rampant. There was sent a caravan with a vaccine, followed closely by the local bandits as the hostage in the caravan should be, as they learned, their leader. It is not known to them only one thing: the leader is a double ...

Uzbek young man Rustam, a helicopter co-pilot, is participating in the construction of a high-voltage line in the Alps. One day in West Germany, where he was sent on a long business trip, the hero meets Uzbek emigrants. The external well-being of the new friends very soon revealed the catastrophic nature of everyone’s destinies. These meetings contribute to Rustam’s spiritual and civic maturity; the hero rediscovers the necessity and significance of his homeland, where his family and friends have long been waiting for him.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

About the formation of Soviet power in Uzbekistan, the fight against the “Kokand Autonomy” and the Basmachi.

Профессия - следователь

Кодекс молчания. На тёмной стороне луны

Гляди веселей

Исходные данные: смерть