Hannah Morrish

The decay of Rome reaches violent depths in Shakespeareas most bloody play. Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society. Shakespeareas gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society.

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

Ceres tells the story of a daughter seeking refuge from her emotionally abusive partner at the home of her estranged mother. It follows their attempt to reconnect, and move forward, despite the knowledge that their time together is limited; bound in a knot of silent agreement to the changing of the seasons.

Set in a games arcade, schoolgirls Pandora and Ria are engrossed in a shoot-em-up. Their jokes turn to jibes and soon insults start to fly. The arcade becomes a surreal place as the girls confront their frustrations with deadly consequences.

Father Brown is based on G. K. Chesterton's detective stories about a Catholic priest who doubles as an amateur detective in order to try and solve mysteries.

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.