Beata Ścibakówna

Based on a true story, Emi — a young, ambitious girl, dreams about life outside her small town. When an opportunity arises to become an exclusive escort, she jumps in without hesitation. Soon she climbs the ranks and starts her own VIP escort service; recruiting Polish celebrities, actors, singers, and models. However, the luxurious and enticing world eventually shows its dark side.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

Under the influence of a boy she met, a student rebels against the old man with whom she lives.

The film is set in the Tricity in 2003, ten years after the end of communism in Poland. The plot, apparently based on the real-life experiences of Kraków businessmen Lech Jerzorny and Paweł Rey, is about three young, talented businessmen who open a high-tech factory. This comes to the attention of the local state ‘mafia’, the local Prosecutor, played by Janusz Gajos, and tax office boss, played by Kasimierz Kaczor, who are both jealous and would like to make money for themselves. We are in Poland, so success must be punished.

Dzieci i ryby

When a group of bandits accidentally kill a boy in a club, his father and sister try to find the guilty and bring them justice.

Listy do M. Pożegnania i powroty

Sometimes, a single unexpected event can irreversibly alter one's life. What would happen, if one day you were to wake up and discover, that you don't know who you are, who you love or care about? Is fate cruel enough to take everything, including your identity and memories? How can you piece together your new life, when you're missing the building elements of who you are?

Hotel 52

Skazane

A satirical series verifying myths connected with Polish capitalism and the cult of "making money". The director, showing from behind the scenes the world of the native financial elite, portrays its ridicule, snobbishness and complexes. The name "the tiger of Europe", which is described by international media as Poland from time to time, is largely due to clever tax fraudsters, smugglers and various "bums". Over the last ten years, they have made not only jealous giant fortunes, but also their own model of culture and customs. A model that mercilessly exposed their intellectual poverty and primitivism. It is from this model that Gruza laughs first of all, proving that if the "tigers of Europe" had been deprived of money, they would have been at most the wretched cats feeding on rubbish cans.

Algorytm miłości

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