Mary Serta

Towards the end of the 19th century, the Duke of Gerolstein traveled to Paris. Sixteen years earlier he had a daughter who was taken from him by her mother who was chased out of the palace. After many dramatic adventures, the Duke finds his daughter in the person of Fleur de Marie, martyred throughout her childhood by the Owl and the schoolmaster.

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.

Miche Doulin is a wife who like to spend. Her husband Henri, who is a diplomat and worried about several large bills, wins an unexpected gain at play. He hides his luck and invents an incredible burglary. His wife to repay the imaginary theft will commit a big imprudence, when she learns the truth.

L'Arlésienne

Illusions

A young bourgeois lady leaves her husband to spend three passionate, violent days with a criminal she is in love with.

Two young revelers, driven by a Russian driver, are taken to an unknown neighborhood at the gates of a cafecinema where they are going to attend a screening of 1909. They see Douglas Fairbanks, Max Linder, William Hart, Prince Rigadin, Norma Talmadge , Lya de Putti...

Lady Diana Wynham, a crumbling aristocrat, entrusts her new secretary, Prince Séliman, with a daring mission on whose success will depend the survival of her fortune.