Martín Aletta

Lucia arrives to Buenos Aires with a mission, take care of a Hungarian filmmaker invited to present his film at the Buenos Aires Independent Film Festival. Lucia meets Pablo, who introduces himself as the angel of prestigious film director Béla Tarr. Lucia and Pablo will join Laszlo Novak in a tragic adventure, moving heaven and earth to find his lost film.

The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.

The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.

From the meeting between Armando Bó and Isabel Sarli, and from the sperm dragged by the force of the water from the Iguazú falls, a girl emerges with no identity or memory who will have to face a nightmarish world with the only tool of a limitless desire that it will burn everything.

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A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

"A person who worked at a service station, obsessed with how his sister writes, with the central provincial areas and with the song Puerto Montt, brings together some people to study together his sister's writings." (Lucía Seles)

"This video is part 02 of Gogol 16 in almost everything because the people who were finishing Gogol 16 are subdivided (although in the end they are not subdivided because there were people who got upset if they were subdivided) for the recording of an album of 16 tracks in tribute to María Luisa Bombal and Marta Lynch" (Lucía Seles)

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