Hugo Godinho

Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.

Isolatta show four isolated artists, each one in their apartment, in the same building, contrasting the hiper-reality of quaarantine's everyday experience with poetization of same desires, anguishs and hopes though the dance.

In a culture in which relations of repression are established over the body, the figure of the devil is constantly linked to it, whether through association with sexual freedom or through the idea of control and punishment. In view of this, the show created from the performativity in dance proposes to research the philosophical and experiential developments that this situation can generate in our society. Conceived by the Teatro da Pomba Gira Collective, Demons launches to open his sores and see power in the darkness.

Visual landscapes originated from a creative process involving performers interested in video art and body art that explores their truths, traumas, desires, and particularities from their experiences to respond to the provocation: what goes through your skin?

In SOMBRA [SHADOW], inspired by Alberto Manguel's book "The Library at Night", Teatro da Pombagira talks about Censorship, of knowledge and of bodies; about repression, judgment and necropolitics, immersing the public in an environment that reveals the works which were hidden on the highest shelves, locked or even removed from circulation, whether for their queer, erotic or fanciful content. Throughout the performance, the audience can hear the whispers of excerpts from literary works that have somehow suffered from censorship, while the performers take over the space and create explicit imagery that sometimes collaborates in the staging, sometimes disorient understanding.

Sisters Almira and Piedade are forced to abandon the famous restaurant where they sold drumsticks and return to their mother's house.