Kirill Gun

Lopushansky's second film focuses on a few hours in the life of a soloist musician during the siege of Leningrad, in WWII. The Leningrad philharmonic is going to play Tchaikovsky's 5th Symphony, which is to be broadcast to England. The soloist, like his fellow musicians, is weak and half-starved, and doubts whether he will be able to perform well enough.

The good-natured scholar Christian-Theodore arrives in a small country where miracles occur. He falls in love with the beautiful Princess, whose marriage is a matter of national importance, because her husband will become the new king. But unlike many “suitors”, selfish thoughts are alien to Christian-Theodore. He is sincerely fascinated by her beauty and releases his Shadow, hoping to get a faithful helper in his quest to marry the Princess. But the Shadow is the embodiment of egoism, greed and meanness. Quickly betraying the scholar, he marries the Princess himself and takes the royal throne.

A group of drunken young people severely beat the couple in love. Subsequently, Aleksandr Shchetinin died in the hospital after receiving injuries from beatings. The court, chaired by Judge Khromova, is to pronounce the death sentence on one of the four participants in the fight, who committed the fatal blow that led to death.

On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?

Хозяин

Лебединая песня

A portrait of the era of "Red Terror" during the civil war that followed the Bolshevik revolution, The Seventh Companion offers a character study in General Adamov (Andrei Popov), a law professor in the tsarist army, who is incarcerated by the Bolshevik secret police along with many other members of the bourgeoisie. Finally released into the new world of the Soviet Union, the resigned officer finds that he has lost everything from his old life except a mantel clock that he carries through the night from place to place, until he ends up back where he started.

The film mocks the moribund world of pan-Poland. The border established by the Treaty of Riga between pan-Poland and Soviet Belorussia passed through the estate of Polish Count Wadecki. The best part of the estate with the palace ended up on Soviet territory. From that moment on, the count lost peace and sleep. New owners - a noisy, cheerful pioneer squad - took up residence in the former manor house. The count's servants, shepherd boy Vasya and servant girl Yadya, watch the life of their neighbours with keen interest. Having accidentally crossed the border in search of a stray cow, Vasya happily stays in Soviet Belarus. He is followed by Yadia. Eventually the Count and his "lordly" guests cannot bear the sight of the noisy youth festivities on the Soviet side and flee. Yadia and Vasil participate in the Soviet youth party.

This lavish Soviet/Czech co-production is based on Fyodor Dostoyevsky's famous novel, The Gambler, which tells the story of a Russian living in Germany, in a gambling resort. This film is set at the turn of the century, and was filmed in Karlovy Vary (Carlsbad), Czechoslovakia. Played by Nikolai Burlyayev, the gambler succumbs completely to his addiction, using up every resource he has (human, spiritual and financial) in his wagering, finally becoming a rootless drifter.

A love story based on a famous Ivan Turgenev novel.