Whitney Lafleur

In a tiny house in the town of Destor, near Rouyn-Noranda on Highway 101 North, Scott, a repeat ex-con in his fifties, lives quietly with Jessie, his girlfriend 23 years his junior. He spends his time meditating and doing 3D puzzles while Jessie spends hers collecting dolphin figures, dancing to “Summer Love” and smoking weed. Wanting to make a documentary on Scott’s social reintegration, social worker Anick moves in to their house for a few days. While the shoot starts off smoothly, with several funny and touching interviews of Scott and Jessie, things quickly derail. Anick seems more interested in Jessie than Scott. The documentary’s subjectivity is quickly replaced by a growing attraction between Anick and Jessie. The continuous presence of the filmmaker in the enclosed space, coupled with the exasperation Scott feels at being constantly recorded, is causing the pressure to escalate. Scott could lose it at any time.

Ten years after the tragic death of her parents in a mining disaster, Marianne returns to her hometown. She returns to GOLD, the rock band formed by her childhood friends, Kristoff and Kevin, who is the only survivor of the mining collapse. For GOLD's short-lived trio, commemorative week will slowly drag them into shocking and confusing areas.

On a family trip to observe the shooting stars, Chloé, a withdrawn teenager, discovers a dazzling attraction for her mother’s new boyfriend.

After a difficult separation, Serge Jr. takes his daughter Lily, 9, on a truck ride across Canada. They head to Alberta and its legendary Badlands World’s Best Truck Rodeo, a race Lily and him have been dreaming about. On the road, under his daughter’s increasingly worried gaze, Serge will eventually need to face the music.

A young couple buys a rotten house with the intention of turning it into their dream home. But the more the renovations progress, the more their life turns into a nightmare. Bungalow is a comedy-drama about the financial, social and sexual anxieties that millennials experience in our performance society.

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