Audrey Totter

Joliet, Illinois, USA

Biography

Audrey Mary Totter (December 20, 1917 – December 12, 2013), was a captivating American actress celebrated for her compelling performances in film noir during the 1940s and 1950s. A former MGM contract star of Austrian-Slovene and Swedish descent, her distinct husky voice and magnetic presence made her a standout femme fatale in classics like "Lady in the Lake" and "The Postman Always Rings Twice." Totter's versatility extended beyond noir, showcasing her talent in various genres, including dramas and thrillers. Her ability to portray complex, strong-willed characters left an indelible mark on Hollywood. Totter's legacy endures through her impactful contributions to the silver screen, forever remembered as an iconic figure in the golden era of cinema. Most references cite December 20, 1918, as her date of birth, although Intelius indicates the year was 1917.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955