Hari Bansha Acharya

Je Bho Ramrai Bho is a 2003 Nepali film directed by Hari Bansha Acharya.

Shatru Gate

A teacher named Basudev Kattel who is suffering from poverty seeks to his friend named Kumar than he realized Kathmandu is filled of corruption.

Movie by Hari Bansha Acharya and Madan Krishna Shrestha

Balidaan (Sacrifice) is a 1997 Nepali historical drama film set in Panchayat-era Nepal, and depicts a fictionalised version of the contemporary democracy movement.

Madan Krishna Shrestha buys and wins a house in a lottery which he purchased from the one rupee coin that Hari Bansha Acharya dropped, just to find out later that the house is haunted. The epic episode most Nepalese remember for the haunting cover of "Ghas Kaatne Khurkera" by Hari Bansha Acharya.

A widowed father of two sons finds love at an old age and struggles as his sons and the society disapprove of his relation.

The first film made in Newari language, tells the story of a young man, who will do anything for the girl he loves.

While an opulent Dashain arrives at Hakimsaab's house, Bhaire, his neighbor and employee, struggles to afford even the basic necessities for his family. This film shows the divergence within the same festival, serving as a callous reminder of the stark differences between socio-economic classes in Nepal.

A delve into the plight of Bhutanese-Nepali refugees who settled in the Ohio-Pennsylvania area and fought alienation and displacement.

It is hard for Karuna to believe that her husband Krishna is seeking gratification in someone else's arms, and when her friend Anushka suggests as much, she resists. Chetana, battling her own feelings of loss, reaches out for Krishna's extended hand. Against the clamorous backdrop of the age-old Machhendranath festival, a thoroughly contemporary drama plays out in the bylanes and courtyards of Patan town. Through the characters, we glimpse a society in transition, where individuals are left to fend for themselves in the anonymity of the city. The film is steeped with the angst of uncertainty created by an economy in the doldrums, with the anger of youth, and with the befuddlement of elders, as protagonists try to adjust to new realities, some with a care for ethics and some without. This is where Krishna finds himself at the end, as Chetana and Karuna decide for themselves. The air is pregnant with possibilities, but the rains do not arrive in Red Monsoon.

Mahajatra unfolds the gripping tale of three men, bound by a tumultuous past, entrusted with the clandestine duty of concealing illicit funds. The film delves into the challenges, triumphs, and setbacks faced by these individuals as they navigate the complexities of safeguarding their entrusted task.