A cover-up that spanned four U.S. Presidents pushed the country's first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government. Inspired by true events.
Set aboard a houseboat on a fashionable reach of the Thames in 1911, The New Morality tells the story of how the brazen Betty Jones restores dignity to her household and harmony to her marriage, by losing her temper and making a scene. A rising star, Harold Chapin had numerous one-acts and three full-length plays produced before he was killed on the battlefield in 1915 at the age of 29. “When Harold Chapin fell in France the modern British theatre lost a comic writer of high order,” declared the Sunday Times. “For intellectual foolery, his New Morality has no equal in present-day work.” The play was produced five years after his death to great acclaim, and then languished in obscurity for decades until our “lavishly crafted”1 revival introduced New York theatergoers to Chapin’s “unabashed comedy with bite.”2
Three strangers share an obsession with true crime and suddenly find themselves wrapped up in one.
An anthology horror drama series centering on different characters and locations, including a house with a murderous past, an asylum, a witch coven, a freak show, a hotel, a farmhouse in Roanoke, a cult, the apocalypse and a summer camp.
Four Republican senators share the same D.C. house rental, and face re-election battles, looming indictments, and parties -- all with a sense of humor.
Atlantic City at the dawn of Prohibition is a place where the rules don't apply. And the man who runs things -- legally and otherwise -- is the town's treasurer, Enoch "Nucky" Thompson, who is equal parts politician and gangster.
