Nathalie Kanouï

Les nouvelles brèves de comptoir

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

César Borgnoli, an unsuccessful car salesman from Italy, lives well beyond his means. In order to get out of his financial disaster, he agrees to a deal: he pretends to be the husband of his sister's girlfriend Kim so she can legally adopt a little girl from Thailand. Caesar believes this to be a great idea and is looking forward to his trip to Thailand. After all, he is going to be able to mix business with pleasure--so he thinks. He didn't expect the local police, the Chinese Triads and the director of the orphanage to chip in, who want to make sure that little Mai is going to end up in a nice family.

Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?

Le Code