David J. Partington

Vicki is seventeen and her older friends call her Jailbait. Her boyfriend Robert is frustrated because Vicki doesn't want to do the wild thing, but he's willing to wait. After a party gets out of hand, Vicki escapes with the help of Lorraine, who takes her in as a houseguest. While Lorraine teaches Vicki etiquette, Robert wonders what happened to his girlfriend. And Vicki soon learns more about Lorraine's job as an "executive liaison."

A young, attractive and successful publisher has a hidden secret. She is adopted and originally from Pinecrest. When she gets the job to visit an author in the small town of Pinecrest she sees an opportunity to try and find her biological parents. The author is actually writing a story about some young love in the town and she has a feeling that she is the offspring of that love but there are some stories hidden in the small town.

An escaped killer convict (Richard Thomas) upheaves the lives of a San Diego businessman (Bruce Davison) and his pregnant wife (Cynthia Ettinger).

A female writer of popular thrillers decides that it is time to kill off one of her characters, a serial killer who has appeared in many of her recent books. Soon afterward, she finds herself pursued by a copy-cat serial killer.

After the death of his girlfriend's daughter from a drug overdose, Paul Kersey takes on the local drug cartel.

Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity--that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael's exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.

Once again, Earth is the battleground. But now the aliens whose human guise hides their true reptilian natures are wiser. They believe the secret to their survival on Earth lies in the DNA of the newly born half-human, half-spaceling Starchild. But that's something the world's Resistance Fighters cannot allow.

Martial Law is an American/Canadian crime drama that aired on CBS from 1998 to 2000, and was created by Carlton Cuse. The title character, Sammo Law, portrayed by Sammo Hung, was a Chinese law officer and martial arts expert who came to Los Angeles in search of a colleague and remains in the US. The show was a surprise hit, making Hung the only East Asian headlining a prime-time network series in the United States. At the time, Hung was not fluent in English, and he reportedly recited some of his dialogue phonetically. In many scenes, Hung did not speak at all, making Martial Law perhaps the only US television series in history that featured so little dialogue from the lead character.

Hunter is an American police drama television series created by Frank Lupo, and starring Fred Dryer as Sgt. Rick Hunter and Stepfanie Kramer as Sgt. Dee Dee McCall, which ran on NBC from 1984 to 1991. However, Kramer left after the sixth season to pursue other acting and musical opportunities. In the seventh season, Hunter partnered with two different women officers. The titular character, Sgt. Rick Hunter, was a wily, physically imposing, and often rule-breaking homicide detective with the Los Angeles Police Department. The show's main characters, Hunter and McCall, resolve many of their cases by shooting dead the perpetrators. The show's executive producer during the first season was Stephen J. Cannell, whose company produced the series.

ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room.

Women of the House is an American situation comedy television series. It is a spin-off of Designing Women and stars Delta Burke, who had reconciled with producers after a bitter, highly publicized, off-screen battle.