Pablo Ragoni

Escape from Patagonia is a gaucho-western film set in the tumultuous Patagonia of late nineteenth century. It's a story of survival, based on real facts from the personal diary of the Argentinian pioneer Francisco P. Moreno.

Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.

The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.

The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.

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From the meeting between Armando Bó and Isabel Sarli, and from the sperm dragged by the force of the water from the Iguazú falls, a girl emerges with no identity or memory who will have to face a nightmarish world with the only tool of a limitless desire that it will burn everything.

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

"A person who worked at a service station, obsessed with how his sister writes, with the central provincial areas and with the song Puerto Montt, brings together some people to study together his sister's writings." (Lucía Seles)

Lucas a honorable detective recives a note from Victor, the most wanted serial killer.

Father Javier lives a fractured existence: on one side, he helps families who've witnessed miracles, and on the other he belongs to a trio of excommunicated priests who hunt the possessed down to exorcise them under their own terms: with Bibles, fire and shotguns.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

"This video is part 02 of Gogol 16 in almost everything because the people who were finishing Gogol 16 are subdivided (although in the end they are not subdivided because there were people who got upset if they were subdivided) for the recording of an album of 16 tracks in tribute to María Luisa Bombal and Marta Lynch" (Lucía Seles)

After an unannounced absence of the costume designer from a play, ego games, love stories and parental encounters and disagreements will be unleashed among the actors, director, and spectators who attended the ceremony.

Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

Pablo makes a living writing the daily horoscope predictions. He does his job quietly and diligently, and seems like an ordinary guy. But what no one knows is that when he gets home, he has an exuberant and complicated polyamorous life.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

Fire Supply

Literal