Eva Řepíková

A young woman from an old patrician family in Prague collapses and is institutionalized in a psychic ward. The non-linear narration unveils here fortunes one by one. The prose of Jakub Arbes is the basis for this experimental film poem. The storyline is uncovered in a mosaic of pictures in a purely visual form, without a single word.

A group of outcasts, including a vagabond and a prostitute, gather at the outskirts of the industrial area of a large Czech city, one of the things that helps some of them survive is alcohol.

Po noci den

An allegory set in an archetypal Czech village, it tells of what happens when a sequence of mysterious events take place, including the disappearance of the stationmaster. While everything has a rational explanation, collective paranoia takes hold and everyone’s worst instincts are released. Interrogations, the abolition of rights and the search for scapegoats ultimately lead to murder

Archa bláznů aneb Vyprávění z konce života

Muž na drátě

A comedy about two bumbling policemen investigating an alleged rape in a small Czech town. One of the alleged rapists is supposed to get married the day he's locked up.

Červená kůlna

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

Pavlínka

Roman Hlava grew up with his diplomat parents in Latin America where he had been home-schooled by his over doting mother. The over indulgence of affection and praise has given the boy an over confidence. This is quickly squashed by his new peers when the family returns to the Czech Republic. This leads to neurotic tics and the nickname Mrkácek the 'Blinker.' A stay at a children's camp provides new friends, acceptance, an appreciation of nature, a new outlook on life, and loss of the tics.

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