Timon Šturbej

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

After being sent to a youth detention centre, 18-year-old Andrej has to fight for his place within the group of inmates while getting closer to Željko, their informal leader, and struggling to keep his repressed secret in the dark.

Slovenia, the spring of 1999. Two friends from a small village decide to transform their mopeds into choppers and embark on a journey. Looking for freedom and love, they travel through dreams of the past and visions of the future. Driven by mad impulses and haunted by the conservative moulds of traditions, they start believing and understanding things previously unimaginable. On the road through Slovenia and Croatia - two countries that have just recently seceded from Yugoslavia - they are accompanied by a young runaway woman with a mysterious past and an old biker who has seen the world in search of freedom but has still not found it. They challenge themselves and each other through shared experiences, severing their ties with and conceptions of the old and thus making way for the new.

One night, a group of teenagers breaks into a city swimming pool. Their youthful spirit soon turns into wild, violent rampage. When the maelstrom of proving themselves and picking on others results in an accident, the situation turns upside down.

Two elderly musicians in search of a sweetheart from their younger days cross paths with an up-and-coming young singer. Together, they embark on a once-in-a-lifetime adventure.

In this intelligent mix of Sofia Coppola’s “Lost in Translation” and Christopher Nolan’s “Memento”, the protagonist Rok loses his memory and is seemingly turning into a better man. Or will his ultra-radical past take over his personality again?

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

Driving home from a New Year's Eve party, Chief Inspector Taras Birsa notices a police car by the road. He stops, and inadvertently gets involved in an investigation of a brutal murder of a young woman.

The aim of the series is to objectively present all the aspects and consequences resulting from the act of murder, thereby contributing to the culture of non-violence in the society.