Joe Gladwin

A psychotic killer gets in the good graces of his aging invalid employer, and worms his way into the affection of her beautiful daughter, with unpleasant results for all.

When the owner of a Yorkshire coal-mine decides to mechanize to increase profits, the mine's pit ponies are scheduled to be destroyed. So, three children plan to steal them to keep them safe. But when they're caught, it's up to the mine owners and the miners themselves to decide what's right.

Mr. Armistead is the referee for an amateur league Sunday Football match. Disliked and abused by all the players he tries to play fair and ensure they follow the rules. By the end of the match he's had enough and really uses his head to show them that he's not as useless as they all think.

A young train spotter heads to Staffordshire for a historic journey through a soon to be condemned tunnel. During his trip, he encounters a series of curious characters.

A coming of age story of an interracial relationship. Lancashire lad Henry finds himself attracted to Faith, an independent-thinking black school friend of Jamaican heritage in this captivating exploration of interracial friendship. Director Jack Gold and writer Julia Jones gently and unselfconsciously explore the couple's budding romance as they walk home along the canal, through an industrial landscape of factories and viaducts. The racial conflict of the 1960s is abandoned for an engaging drama that is refreshingly free of stereotypes.

During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don't much like the brash Yanks, especially when it comes to the G.I.s making advances on the lonely British girls. One relationship that develops is between married John, an Army Captain, and the aristocratic Helen, whose naval husband is away at war. Helen loves her husband, but Helen and John are looking for some comfort during the difficult times.

Dreamlike satire about a young man who resists getting a job at the lone employing conglomerate in his dreary industrial town, but changes his mind when he discovers the plant's boiler room has the perfect climate to assist him with his pet horticultural (fungal) project.

Charlie Bubbles, a writer, up from the working class of Manchester, England, who, in the course of becoming prematurely rich and famous, has mislaid a writer's basic tool – the capacity to feel and to respond. Now he must visit his estranged wife and son, whom he has set up on a farm outside his native city. His journey accidentally becomes an attempt to reestablish his connections with life, people, and his own history.

The Lump is an uncompromising exploration of exploitation and resistance within the building trade.

Michael Marler, a successful businessman in London, is about to make his way to the top. After 37 years, the death of his father brings him back to his hometown of Liverpool, where he’s confronted with his lost Irish roots. He finds out that his father died in a fight with some Anglo-Saxon teddy boys. It becomes a matter of honour for him to take his revenge without involving the police.

A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.

This short feature, an early directing credit for Alan Parker, shows the reality of life during the WWII air raids with none of the traditional 'Blitz spirit' so often portrayed. Eric spends the nights crammed into a brick shelter with his dad, sister and her screaming kids, and every bombardment brings tears over the loss of his mother in an earlier raid. When he learns his sweetheart is to be evacuated, he finally buckles under the stress.

French movie pin up Sophie Hardy is Lisa Milan, a gorgeous Continental film star who's just arrived at Heathrow. She's in London for the premiere of her latest film, but within minutes she's beenw hisked away by her number one fan, Johnny Howjego and his Cockney pals Sammy, Flora and Cabbie Sid.

As Vic Brown vacillates between infatuation and disinterest for his co-worker Ingrid Rothwell, she finds out that she is pregnant and Vic has to reconcile how he thought his life would go with what life actually has in store for him.

The title character is a married provincial schoolmaster and a notorious philanderer. He is a russian Don Juan except that he himself doesn't seek to seduce; the women around him simply find him irresistibly attractive, and he is only too happy to go along. The play predates the realism of Chekhov's later works in its desjointedness, but many of its scenes show the seeds of brilliance that would eventually emerge.

A 30-year-old man, who has been in a coma since birth, is finally restored to consciousness by a breakthrough brain operation. Although physically an adult, the man is "reborn" in the eye of an infant; the doctors caring for him must teach him to walk, talk and prepare for life in the outside world. Tension builds as he escapes from the hospital, wanders among people who do not realize his identity, and is hunted by the police.

Facing retirement, elderly journalist Clarence Hubbard reflects on the pointlessness of a life wasted writing banal tabloid human interest, animal, and crime stories. Rather than go quietly to tend roses in a garden, Hubbard begins a series of violent actions not unlike those described in tabloids, and this is heightened by inter cutting tabloid headlines between scenes. Throughout, there are occasional shots of a television critic who watches this very play as it unfolds, and he writes a negative review filled with cleverly phrased but bitter invective.

Sid's daughter may be pregnant, but he is more interested in catching a pesky mouse. Things are further complicated by visits from an assortment of strange neighbours and relatives.

A group of coal miners from Nottingham go on their annual trip to Blackpool.

In a bookbinding factory, Nobby, the foreman, is the master of his domain. Hector, a young new recruit, struggles. Ted, about to retire, refuses to be intimidated. Lorna, a young female employee, attempts to help Hector, but Nobby has other ideas.

Gideon's Way is a British television crime series made by ITC Entertainment in 1964/65, based on the novels by John Creasey. The series was made at Elstree in twin production with The Saint TV series. It starred Liverpudlian John Gregson in the title role as Commander George Gideon of Scotland Yard, with Alexander Davion as his assistant, Detective Chief Inspector David Keen, Reginald Jessup as Det. Superintendent LeMaitre, Ian Rossiter as Detective Chief Superintendent Joe Bell and Basil Dignam as Commissioner Scott-Marle. The show did not acknowledge any help from Scotland Yard, any other police force or advisor. Daphne Anderson starred as his wife, Kate with Giles Watling as young son, Malcolm, Richard James as older son, Matthew who seemed to have a lot of new girlfriends and Andrea Allan as daughter, Pru. Unusually for police stories, Gideon was shown as a family man at home though urgent phone calls from his bosses tend to disrupt family plans too often. However, he did admit in "State Visit" that his wife had walked out on him for a while years ago when he put the job first and her second. They live in an expensive detached house in Chelsea.

Unencumbered by wives, jobs or any other responsibilities, three senior citizens who've never really grown up explore their world in the Yorkshire Dales. They spend their days speculating about their fellow townsfolk and thinking up adventures not usually favored by the elderly. Last of the Summer Wine premiered as an episode of Comedy Playhouse in 1973. The show ran for 295 episodes until 2010. It is the longest running comedy Britain has produced and the longest running sitcom in the world.

Nearest and Dearest is a British television sitcom that ran from 1968 to 1973. A total of 46 episodes were made, 18 in monochrome and 28 in colour. The series, produced by Granada Television for the ITV network, was set in Colne, Lancashire, in the North West of England.

Her Majesty's Pleasure

The Artful Dodger was a short-lived black-and-white British sitcom starring Dave Morris and Gretchen Franklin. It ran for one series in 1959. It was written by Frank Roscoe and Dave Morris.

After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.

Budgie is a popular British television series starring former popstar Adam Faith which was produced by ITV company London Weekend Television and broadcast on the ITV network between 1971 and 1972. The series was created by Keith Waterhouse and Willis Hall . The show was produced by Verity Lambert, Rex Firkin was the Executive producer.

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

Crown Court is an afternoon television courtroom drama produced by Granada Television for the ITV network that ran from 1972, when the Crown Court system replaced Assize courts and Quarter sessions in the legal system of England and Wales, to 1984.

The Losers is a British sitcom that aired on ITV in 1978. Written by Alan Coren, it stars Leonard Rossiter and Alfred Molina. The Losers was made for ITV by ATV and was produced and directed by Joe McGrath. In The Losers, Rossiter plays Sydney Foskett, a wrestling promoter who discovers a young new wrestler called "The Butcher", played by Molina, who Foskett ensures loses to get the public's love.

The BBC Television Shakespeare is a series of British television adaptations of the plays of William Shakespeare, created by Cedric Messina and produced by BBC Television. It was transmitted in the UK from 3 December 1978 to 27 April 1985 and spanned seven series. Development of the series began in 1975 when Messina saw that Glamis Castle would make a perfect location for an adaptation of Shakespeare's play As You Like It. On returning to London, he envisioned an entire series devoted exclusively to the dramatic works of Shakespeare. After encountering numerous problems trying to produce the series, Messina eventually pitched the idea to the BBC’s departmental heads and the series was greenlighted. The series as a whole received generally negative reviews from critics.

Comedy series set in Liverpool about an half-protestant/half-catholic family.

Please Sir! is a London Weekend Television produced situation comedy, created by writers John Esmonde and Bob Larbey and featured the actors John Alderton, Deryck Guyler, Joan Sanderson, Noel Howlett, Erik Chitty and Richard Davies. The series ran for 55 episodes between 1968 and 1972.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

Justice is a British drama television series which originally aired on ITV in 39 hour-long episodes between 8 August 1971 and 16 October 1974. Margaret Lockwood stars as Harriet Peterson a female barrister in the North of England. It was made by Yorkshire Television and was based loosely on Justice Is a Woman, an episode of ITV Playhouse broadcast in 1969 in which Lockwood had previously also played a barrister. The theme music was Crown Imperial by William Walton.

All Creatures Great and Small is a British television series, based on the books of the British veterinary surgeon Alf Wight, who wrote under the pseudonym James Herriot. Ninety episodes were aired over two three-year runs. The first run was based directly on Herriot's books; the second was filmed with original scripts.