Alistair Cooke

Alistair Cooke was known to millions as the graceful, amazingly well-read host of Masterpiece Theatre for 22 years. But this very public side of a very outgoing man was just the tip of the iceberg to a fascinating career extending back to the Jazz Age. The Unseen Alistair Cooke includes footage from 150 reels of film shot by Cooke from the 1930s on, recording his encounters with American scenes and celebrities. Discovered after his death, the treasure trove includes a short feature of his friends Charlie Chaplin and Paulette Goddard in an exuberant playlet filmed aboard Chaplin’s yacht.

A doctor treats a woman suffering from multiple personality disorder.

In this abridged television production, Lear vows revenge against his conniving daughters after they try to take swift control of his power.

"All at Sea" is a short documentary of Cooke, Charlie Chaplin and Paulette Goddard all on Chaplin's yacht on an afternoon sail.

Lauren Bacall tells the story of her late husband Humphrey Bogart, presenting clips from his movies and interview clips with his peers.

For 200 years, the United States Congress has been one of the country's most important and least understood institutions. In this elegant, thoughtful and often touching portrait, Ken Burns explores the history and promise of this unique American institution. Using historical photographs and newsreels, evocative live footage and interviews with David Broder, Alistair Cooke, Cokie Roberts, Charles McDowell and others, the award-winning film chronicles the personalities, events and issues that have animated the first 200 years of Congress and, in turn, our country.

Featuring archival footage from both German and UK sources, this documentary examines the defense of Britain during the early years of World War II.

Hitler: The Last Ten Days takes us into the depths of der Furher’s Berlin bunker during his final days. Based on the book by Gerhard Boldt, it provides a bleak look at the goings-on within, and without.

A look at the life and work of Charlie Chaplin in his own words featuring an in-depth interview he gave to Life magazine in 1966.

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

A documentary series examining the film making methods and techniques of Charles Chaplin. Featuring previously unseen footage from Chaplin's private film archive.

Omnibus is an American, commercially sponsored, educational television series.

An anthology series adapted from plays and short stories by A.E Coppard and H.E. Bates, depicting English country life and rural romance at the turn of the 20th-century. It presents unsentimental stories of human relationships and raw emotions – heartfelt passions, crippling frustrations, unspoken love and destructive jealousy.

World in Action was Granada Television’s flagship ITV current affairs series, running from 7 Jan 1963 to 7 Dec 1998, and built a reputation for film-led investigative reporting and a forceful editorial stance. Its journalism produced major public and political repercussions—including investigations associated with miscarriages of justice such as the Birmingham Six—and it also served as a platform for landmark documentary projects, including the first broadcast of “Seven Up!” as part of the strand in 1964.