Indrek Spungin

Tundra of Lapland, Finland. Rupi, a young man who fills his days dealing and drinking, works in a mine hoping to raise enough money to escape the desolate village where he lives.

On the shimmering shores of Europe’s otherworldly edge, two teenage girls, Hanake and her best friend are discussing their first love interest while gazing out at yachts sailing to Kyoto. They whisper prayers and poems, the language of their longings. But the magic is fading in their isolated fishing village as they’re dealing with a recent disaster, with some indulging in erotic art, some in spiritual spells. It becomes clear that intimacy alone won’t help them process their loss.

The author of the film, Indrek Spungin, has reached the harbour of love and peace, he is married and the father of several children. Everything seems beautiful, but one day his wife tells him that if nothing changes, then their love and marriage will soon come to an end. Indrek is confused. He takes his friend Taavi and a camera and goes to find out what love really is. He questions representatives from a variety of social groups on topics such as love and marriage.