Elizaveta Yankovskaya

The shrill and tragic story about an event that involved Count Lev Nikolaevich Tolstoy. In an infantry regiment of the military based in the Tula region an offence occurs. In this regiment, the capital’s lieutenant Grigory Kolokoltsev — inspired by progressive ideas — does his service. A military tribunal and execution await the soldier charged with the offence. Kolokoltsev asks Count Tolstoy for help — and he decides to protect the innocent man. The pointed history about the complexity of choice and fidelity to one’s ideals is based on real events.

The story of a couple entangled in string theory and their own relationships. An excursion to the quantum multiverse, where every action of the heroes, every decision they make, exists in all possible variants simultaneously.

The film’s plot is based on a true story about a 10-year-old boy from a village, Ilya,whose father is killed. The criminal remains unpunished. Nobody around this situation is particularly worried, except the child, who arranges a real hunt for the murderer.

Polina lives and works in a small hotel in the northern border town. She and her friend Nadia dream of a different, paradise and exotic world. The girls almost never leave the empty immobilized hotel and live, performing their strange daily rituals in the hope that someday they will lead them to a miracle. Once a stranger arrives at the hotel.

The movie is based on the real story of Nika Turbina, once world-famous Soviet child poetess, who got completely forgotten in the 1990s. That's when we meet her: at the age of 27 Nika is full of hopes and doubts regarding her gift. Due to the age restriction, she's got just one shot to enter the Drama School, and that's her only chance to separate from her cherishing and oppressive mother. Acquaintance with a new friend Ivan gives Nika hope for a happy future, but there is still something in her memory that triggers her. Tragically cheerful, painfully confused and desperately believing in love and life after childhood, Nika puts everything on the line to overcome ghosts of the past.

The Ferris wheel is a good place for a last date, because the circle describes all the stages of a relationship. At the bottom, you go into a booth together, go up to the peak, and then everything goes down again. Moreover, no matter how much you swear at the top, you still have to get out of it together at the bottom. During this time, the characters manage to piss each other off, drink, make a wish, swear, hug goodbye and even literally leave the heart.

The year is 2032. Ten years after a war with a race of genetically altered humans dubbed ‘rats’, special units of ‘rat catchers’ seek out and exterminate the last remaining hybrids. One of them is Zoe. She manages to evade detection using a false identity, and becomes a rat catcher herself. Any out of character slip on her part could expose Zoe for who she really is, and an encounter with her ‘rat’ father, with whom she lost contact during the war, could cost Zoe her life.

Vanya is a salesperson in the Hunter and Fisher shop. Kristina is a ballerina at the Perm Opera and Ballet Theatre. Kristina jokingly calls Vanya a "retro person" for her love of everything old. She herself is a modern person, nostalgia for the romantic past is not characteristic of her. And yet, these two dissimilar people have something in common - the fear of loneliness and the obsession with starting a family.

An ordinary day for the wealthy Garber family ends with a stunning event: their daughter Lena appears in their gallery, disappearing without a trace ten years ago. She does not remember where she was all these years and how she managed to return. Already lost hope, Katerina Garber immediately recognizes her daughter, while her husband is in no hurry to believe in a miracle. The return of Lena does not bring happiness to the family, but, on the contrary, makes her life unbearable, throwing the Garbers away in those moments of the past that they would rather not remember.

In the past, Soviet prima ballerina and now world-renowned choreographer Ruta Myers returns to the country after almost 40 years to stage a performance at the country's main ballet theater. Ruta is forced to rebuild relationships with friends and enemies, who have become key people in the Russian ballet over the past time, but most importantly — with the artistic director of the theater Andrei Pronin and his family. They were once a couple, and now old feelings and old resentments flare up with renewed vigor. A lot of money, ambitions, and a career are at stake — Ruta, despite all her efforts, finds herself in the epicenter of passions and intrigues very far from the world of art.