Sergey Lobanov

Commissioned to map the Far East territories of the Russian Empire, cartographer Jonathan Green sets off on a long journey of unbelievable adventures—making breath-taking discoveries and meeting mysterious creatures, Chinese princesses, deadly masters of oriental martial arts, and even the King of Dragons.

Hoping to break a big jackpot Natasha's stepfather does the financial gamble than substitutes his business partners. The whole family mourns Boris Ivanovich. Everything goes according to plan, until the stepfathers comrade comes.

Ископаемый

In February of 1959, nine Russian hikers ventured into a remote area of the Ural Mountains. Two weeks later, all of them were found dead. What happened is a mystery that has baffled investigators and researchers for decades. It has become known as the Dyatlov Pass Incident. When five ambitious American college students are issued a grant to return to the site of the original events, they gear up with the belief that they can uncover and document the truth of what happened to the supposedly experienced hikers. But what they find is more shocking than anything they could have imagined. Retracing the steps of the Russians' ill-fated journey, the students are plagued by strange and increasingly terrifying phenomena that suggest that in spite of the desolate surroundings, they are not alone. The forces at work in the Dyatlov Pass Incident have been waiting for them.

Mischa, a mute boy, sets out on a surrealistic journey together with his father and two men. Their means of transportation is an old Soviet locomotive, loaded with stolen coal. The travellers intend to sell off the loot on their way through the borderless steppes of inner Russia. As a parallel to the main plot, sequences of a mysterious travelling circus keep reappearing in a very suggestive way. Many of the odd artists at the circus are people that the four protagonists encounter in the wilderness along the overgrown railway. All through the movie there is a sensation of magic crossed with pure realism, stressed by the crackling communistic infrastructure and a twisted sense of humor. The border between reality and fantasy is very subtle here. The Railway is a story about strong family ties, but also an ambitious interpretation of the clash between the Russia of old and new. One could call it the rebirth of a long forgotten genre: the Russian wonder story.

Big home of Shamanov family has everything - except love and understanding under the roof...

Four friends from the first movie are back in the saddle. This time they're not only returning to the big sex world but also helping the state on the important mission.

In the new film, the Golubevs will swap bodies with robots and get the opportunity to rethink their attitude to modern technology and come to an understanding.

Гусар

After graduation our main character Yesenia dreams about work- ing with Rodion Meglin. He is a mysterious, secretive man, a lone investigator with little known about his methods. When Yesenia turns into his trainee she begins to realize that the essence of his method is that Meglin himself – that of a maniac. He feels them instinctively. He is allowed to eliminate some of them, look after others and save their lives. Our heroine who was never meant to work alone will go alone, facing the most horrible crimes of the last decade.

Olga brings up two children from different marriages, cares about her alcoholic father and tries to adjust her personal life. The eldest daughter Anya is studying in a vocational school, she thinks that she is the only adequate member of the family, and in her life everything will be different. The younger son Timofey, whose father returned to the first family in Azerbaijan, believes that he is already a man, although he is only 11 years old. Olga's father, Yuri Gennadievich, a former football player, drinks hard and constantly lies, which often leads to scrape. And sister Lena is trying to live at the expense of men - mostly married. Eternally saving relatives from troubles, Olga lives a strange life and rarely thinks of herself until Grisha, a young and positive driver of the “Sable” hearse, falls in love with her.