Yoshinori Miyata

Jun is being picked on at school. He visits his brother who lives apart from the family and begins to learn boxing. Jun becomes stronger, but he still can't stand up for himself. His brother finally decides to do something.

Sano and Miyata, two childhood friends, are on a trip together in a resort hotel facing the Pacific Ocean. Miyata is devoted to conspiracy theories and he tries to get Sano to believe this idea. But Sano doesn't believe it, and they fight. As Miyata's phone keeps ringing all day, Sano loses patience and takes the call. It was a phone call from Miyata's father, who was saying unintelligible things, probably from dementia. Sano hangs up the phone in confusion and tries to go home with Miyata.

Takumi and his daughter Hana live in Mizubiki Village, close to Tokyo. One day, the village inhabitants become aware of a plan to build a camping site near Takumi's house offering city residents a comfortable "escape" to nature.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

In his mid-thirties, YANAGIDA Yoshinori aspires to be a movie actor but suffers from want of opportunity, working mostly as a stand-in for other professional actors in TV commercials. After a chat over drinks with a successful colleague, he decides to address his mid-career crisis by auditioning for a role in a student movie. Will he survive the student director’s endless script revisions and eccentricities, and persevere in this perilous path towards movie stardom? This tragicomedy of an actor’s life with a metafictional ending celebrates every filmmaker’s relentless dedication to cinema.

Accompanied by his friend Miyata, Sano returns to Izu, a seaside resort in Japan where five years before he fell in love with his wife Nagi.

Taneno, an elite police officer who became obsessed with righteousness, attacks his wife, Mitsuko, with a goya (bitter melon) for pleasuring herself with it. As he leaves prison after serving his sentence, he accidentally boards a taxi offering illegal prostitution services. On board, he meets Omitsu, a woman who looks just like Mitsuko. His presence in the car sends her away from the taxi. The driver holds Taneno responsible and forces him to serve his taxi. Back in the force, Onari, a lazy cop, and Asadachi, a new recruit, begin their investigation on a suspicious taxi.

Teru is a boxer and rookie of the year contender. Ben has had an excellent memory since birth but struggles to communicate with others. The two of them grew up like brothers in the same housing complex. Ben is happy simply imitating Teru because to Ben, Teru is a hero. However, Teru loses to Kitazawa in the deciding match for the title of rookie of the year, and then pretends as if nothing has happened and drowns himself in partying.

A disillusioned office worker finds freedom and a new sense of self after assuming her missing colleague’s identity on a dating app, only to find it comes at the cost of much more.

Young wife Sakiko is arrested for the murder of her husband. Despite her claim of innocence, that claim is not heard. Sakiko escapes and chases the real criminal who killed her husband. Her only clue is a sight of a tattoo on the murderers back. Sakiko hides in the city at night to find the real culprit. Offering her body to see the back of the men she seeks out, Sakiko must uncover the truth to the murder of her husband before it is too late.

A first-hand account of the Tokyo Metropolitan Police beat following Jake Adelstein, an American journalist who embeds himself into the Tokyo Vice police squad to reveal corruption. Based on Jake Adelstein’s non-fiction book of the same name.