Mirjam Mesak

An average guy of an Estonian high-school decides to defend his bullied classmate. This starts a war between him and the informal leader of the class.

Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.

Nele is a young call center agent who moonlights as a cloakroom attendant at the State Opera. When she falls in love with the small-time street dancer Kolja, she must confront the demons of her past and descend into the underworld. At the same time, talent scout Höllbach notices Nele's singing talent and offers her a great opportunity for a career as an opera singer. Axel Ranisch's modern adaptation of Orpheus and Eurydice is a cinematic opera pastiche between Puccini, Handel and Christian Steiffen.

Stage director Axel Ranisch interweaves two works, resulting in a coming-of-age fairy tale on family, love, knowledge and self-determination: Mavra and Iolanta are becoming Mavra / Iolanta.

The Class: Life After is a follow-up to the feature film The Class (Klass) and deals with the aftermath of a school shooting. Each one-hour episode focuses on a different character who survived or witnessed the tragic event. There are kids from the class, their parents, the class teacher, a boy who survived the shooting, and finally, one of the culprits in the very last episode.