Wencke Mühleisen

Gomp: Tales of surveillance in Norway 1948-1989 is a film from a staged hearing focusing on the surveillance of dissidents during the Cold War. Through its unique set of characters, the film depicts a complex image of Post War Norway as well as various aspects and consequences of being surveilled. Produced as a live event, it is simultaneously a documentary, a work of fiction and a piece of political theater.

Rituals of performance, symbolic showdowns and murders of father figures, slaughterhouse parties, examinations of prejudice, gender and sexuality.

In the commune of the Viennese action-ism-artist Otto Muehl the children should remain 'unspoilt from the nuclear family', in order to be brought up to a completely new human being. Setting out as a free collective in the early 70ies, soon the social experiment emerged as a totalitarian system, which, 20 years later, ended in a dramatic failure. Through the eyes of these children, the film looks back at the community and examines what has become of the children of this utopia.

A close look at the Austrian far-left Friedrichshof Commune which was set up in 1972 by artist Otto Muehl. It was dissolved in 1990 when Muehl was convicted of the abuse of teenagers who lived in the commune.

Trygdekontoret