Marina Artigas

El hijo de Dios

Ulysses is a hundred-year-old man, he lives alone and is on the verge of death. The last night of his life, he will experience something that will force him to rethink his past, his present and his sight about his reality. Tortured by remorse of guilt, confused by his senile dementia, he must make a last effort to reach his death in freedom or to become a soul in sorrow in eternal return.

Nicky, an accomplished con artist, gets romantically involved with his disciple Jess but later ends their relationship. Years later, she returns as a femme fatale to spoil his plans.

A couple stays in a hotel to save their relationship. When the place gets weird, she doesn't want to go on, but he pressures her to stay.

Ana waits for her dad to come by and finally listen to what she has been longing to tell him for years. When she understands he is not coming, Ana will reach out to every piece of technological device at her grasp, in attempt to have that talk. But technology will fail. Or maybe what will fail is the human capacity for communication.

Jorge Peker (Santiago Gobernori) is a frustrated lawyer who does not practice his profession and who is employed in a call center. One afternoon Jorge learned that his father had died. A few days later, at the wake of his father, his girlfriend Luciana (Charo López) leaves him and learns that his father left him as a legacy a house. The conflict appears when you realize that you can not keep this huge house alone, which forces you to rent a room and the only candidate that comes is Ludovico (Javier Drolas), a live, active and enterprising boy, his complete opposite. Ludo is paralyzed and walks in a wheelchair. This makes Jorge fight against his prejudices and learn to live, not with someone different, but simply, with living with someone, accepting others and considering them. And so he sets out on the royal road to be able to form the family he always wanted.

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