Charlotte Van Kemmel

Two self-proclaimed “unlovers” who don’t give two damns about “l’amour” must find a new definition for their feelings as they drift through the end of summertime in Paris.

Ever since she served on the jury during his trial, Nora has been convinced that Jacques Viguier is innocent, despite him being accused of murdering his wife. Following an appeal by the public prosecutor’s office, and fearing a miscarriage of justice, she convinces a leading lawyer to defend him during his second trial, on appeal. Together, they will put up a tenacious fight against injustice.

Diplopia “is a functional vision disorder that results in the perception of two images for a single object” (Clément Chéroux). Antonin Peretjatko literally brings this double vision to the screen. He uses it to tackle one of the issues approached in Yellow Saturday – the perception of the so-called Yellow Vests protest movement, a lengthy political episode that has fuelled the media in their field-based battle to portray the demonstrators.

Sylvain, a young man, devotes his life to small, local movie theater destined to be shut down. He lives in the theater's basement and is the theater programer, projectionist, and ticket seller. Each night, after the last screening, he leaves the building to carry out a ritual killing.