Mathieu Capella

Joseph and his two sons, Joachim and Ivan, form a close-knit family but fail to see that each one is losing control of his life. Joachim is supposed to be studying psychiatry but spends most of his time daydreaming about his ex-girlfriend, Ivan cannot fit in at school despite being very smart, and Joseph has secretly quit his job as a doctor and is trying to become a writer. While there is plenty of affection at home, all three are also, clumsily, searching for love...

A man is caught in a storm of public rage when a 16-year-old girl mounts a social media campaign accusing him of murdering her father.

Vladimir, 15-years-old, is secretly in love with his neighbour Lou. When Lou decides to leave her home to move in with her boyfriend – a man ten years older than her – Vladimir tries to put his jealousy aside to help her.

Everything opposes August and Mila. They are brother and sister but they don't understand each other anymore. Auguste is a dreamer, in his own world, passionate about astronomy. She is an angry teenager, in a boarding school, and misunderstood by their often absent mother, Marie. But what if, in this disordered family, a discovery could change everything?

Rien ne sert de courir

Pandemonium

This year, 36 actresses are being highlighted by the Revelations Committee of the Academy of Cinema Arts and Techniques. Lukas Dhont, a true revelation himself since his first feature film, Girl, was awarded the Caméra d’Or at the Cannes Film Festival in 2018. He chose to feature this new generation of talents within a “dance marathon”, these exhausting competitions which took place in the United States during the Great Depression, magnificently immortalized by Jane Fonda in a film by Sydney Pollack in the 60s. Through the artistic vision of Lukas Dhont, it is no longer a question of confrontation, but on the contrary, of solidarity and cohesion. Times are changing... Revelations draw their strength from unity.