Marianna Semyonova

Mixture of documentary and fiction about the dictatorial 1930s, loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model.

A successful doctor is visited by her old friend, a famous writer. They used to be close, but their friendship ended when they both fell in love with the same man. At first, their reunion seems to be going well, but as they talk, their old grudges and resentments resurface and threaten to ruin their renewed connection.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?